In the tradition of The
Kinks and the Small Faces and around the same time as Ian Dury and
Squeeze, Chas & Dave wrote and recorded exceptionally witty
songs about life in London, performed with a strong affection for
all things English reminiscent of many of the great Music Hall
artists many years previously. In their case , however, the musical
accompaniment to their sharply observant material was neither rock
nor punk but solid, no-nonsense Rock’N’Roll style which had been
their background and inspiration.
Pianist Chas
Hodges and guitarist Dave Peacock were
widely experienced around the British rock scene of the 1960s and
early 70s before teaming up with drummer Mick Burt
(another much-travelled musician who had gone back to his original
trade as a plumber) to form the group. Chas had worked with the
legendary producer Joe Meek, backed Jerry
Lee Lewis, played with Mike Berry and the Outlaws,
along with Ritchie Blackmore, and also the highly
respected Cliff Bennett and the Rebel Rousers,
which had Burt on drums. He then joined Albert Lee’s
cult band Heads Hands and Feet before playing with
Dave and Albert in Black Claw. Dave had been
equally active, Starting out in The Rolling Stones (no, not them!)
in 1960. Spells with The Tumbleweeds, Mick
Greenwood, Jerry Donaghue, and the above
mentioned Black Claw followed prior to the pair coming together to
go out on their own as Chas & Dave.
Their debut album
‘One Fing ‘n’ Anuvver’ was released on the Retreat label in
1975 earning critical acclaim from the likes of John Peel among
others. This self-produced offering was perhaps the first
(definitely the strongest) example of cockney Rock ‘n’ Roll,
with song titles such as ‘Ponders End Allotments Club’ giving a
strong North London angle to the genre. Their proudly cockney vocals
and exuberant good humour, blended with their love for genuine
Rock’n’Roll, led them to title their 1978 EMI album
‘Rockney’ (later to become their label name) which featured some
top quality songwriting and was championed, before their commercial
success, by the influential DJ Charlie Gillett. Two years later they
were spotted by an advertising exec at a pub gig playing their
composition ‘Gertcha’; he signed them up to make ads for Courage
beer and lucrative popularity naturally resulted as well as awards
for the ads themselves. ‘Gertcha’ became their first Top Twenty
chart entry. They followed up with ‘The Sideboard Song (Got my
Beer in The Sideboard Here)’ from their third album ‘Don't Give
A Monkey's’ , and their two most successful singles, 1980’s
‘Rabbit’ (from the same album) and the fine, more reflective
ballad ‘Ain’t No Pleasing You’ two years later. In between
they recorded their first live album - 'Live At Abbey Road' - for
EMI. The famous Studio One being converted into an East end pub for
the occasion with friends and industry invited.
More popular
recordings came along with ‘Margate’ and ‘London Girls’ and
a move into the sporting world, collaborating with the Matchroom Mob
on ‘Snooker Loopy’ in 1986, and Tottenham Hotspur FC on their FA
cup final songs. The 80s also saw Christmas releases with
collections of their favourite old time songs brought back for a new
audience. The boys still found time to contribute theme tunes for TV
shows such as ‘Crackerjack’ and ‘In Sickness & In
Health’. Regular appearances on our screens as well as their own
TV specials boosted their profile to household name status. Perhaps
the high point of the decade though was being presented with the
‘Red Book’ by Eamonn Andrews on the TV show
‘This Is Your Life’ during the show’s heyday in 1985.
Throughout the 90s
they switched their attention to new projects such as writing the
musical ‘Two For The Price Of One’ with the late Johnny
Speight, legendary creator of Alf Garnett, and a collection
of songs to commemorate the 50th anniversary of V.E day in 1995.
This proved to be their most successful album to date hitting number
two in the charts (kept off of the top spot only by Take That’s
farewell album!). The accompanying video was equally successful. In
1998 they had an unexpected breakthrough in America when radio
stations started playing their track ‘Flying’ in heavy rotation,
resulting in overwhelming public response. This lead to them being
snapped up by US label Cleveland International and ‘The World Of
Chas & Dave’ album was released to cash in on the buzz, which
it duly did, winning them scores of fans in the states including Jack
Clement, legendary engineer at Sun Studios (who is credited
as having discovered Elvis no less!). So 25 years on, the boys found
themselves touring the US for the first time.
In this new century,
Chas & Dave’s appeal has never been greater or more varied.
The audiences are getting younger without the boys deliberately
trying to appeal to the youth, and new bands are citing them as a
major influence. None more so than The Libertines,
who when asked who they wanted on the bill with them on their London
shows in 2015/2016, didn’t hesitate... Chas & Dave. The shows
at The Brixton Academy & The Kentish Town Forum were a huge
success with Pete & Carl from the band joining Chas & Dave
on stage for a couple of numbers. This glowing endorsement from the
band of the moment opened a lot of people’s eyes and ears to Chas
& Dave.
In a musical climate
so obsessed with the cool, Chas & Dave never quite fitted in.
They merely write and play the music they love and have done so for
over a quarter of a century.
Thursday 26 January
2006
Thursday 7 September 2006
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