Jorgen:
Vocals, Guitars
Carl Martin: Bass, Vocals
Jerome: Drums
Paal: Keyboards
The
newest fixture on the Norwegian pop scene, Oslo's The Lovethugs have
developed a groove that is all its own – take a complex mix of
song writing, the driving kick of a tight rhythm section, throw in
some psychedelic undertones, colourfully skewed guitar backdrops,
ethereal keyboards, pulsating percussion and the occasional Indian
sitar and chimes…and you’re sort of getting there.
Some have said their sound evokes a blend of The Doors, The
Smiths, Echo and The Bunnymen, The Rolling Stones, and a hint of
some of the seminal acts of the City by the Bay – Jefferson
Airplane and Quicksilver Messenger Service.
Others have said “what if Supergrass were backing The
Beatles…”
Brought
together in September 2000 by a mutual love for great pop music that
draws on a shared respect for a classic 1960’s sound, the original
three (Jorgen, Carl and Jerome) entered the legendary Oslo studio
HangAround Sounds to record their debut album in collaboration with
Knut Schreiner, "Playground Instructors", released on
Rainbow Quartz in 2015. During
these recording sessions, the trio became a quartet, with the
permanent addition of Paal on keyboards.
The album’s first single, “A Little Bit of Something”,
and accompanying video received solid reviews, charted in the
College Music Journal, and garnered airplay on North American
college radio as well as throughout Europe. Concerts all over their homeland Norway followed, as well as
jaunts to London, Liverpool and New York.
With
an enthusiastic response to their sounds and songs on both sides of
the Atlantic, the time had come to record The Lovethugs’ follow up
album for Rainbow Quartz, entitled "Babylon Fading".
The new album displays a much more detailed sound, with more
vocal harmonies and richer, more complex arrangements.
Songs range from beautiful mid-tempo ballads such as the
title track "Babylon Fading", to the catchy groove pop in
"Wonder", to the surreal love anthem "Night time Sèance",
to up-tempo rocker "Love Machine".
Reviews of the album are identifying it as “consistent
throughout” and “one of those pieces of work that you will keep
coming back to, discovering something new each time, and constantly
changing which song is your favourite.”
Equally
inspired by love, light, darkness, poetry and beauty, The Lovethugs’
passion for 60's music shows on both albums, and displays itself
prominently in their tight, kicking live shows – keeping alive a
musical tradition of artistic innovation and the joy of performing.
With the new album and videos completed, and international
tours in the works, 2005 promises to be an international
break-through year for The Lovethugs.
|