THEY
WALK AMONG US have recently returned from a 3 month promotional tour
of the US to promote their debut album Mathematics, Art in Progress. The band travelled 15,000 miles across
26 states and performed in 36 cities. From Chicago to New York,
Washington D.C. to New Orleans, Austin TX to LA and back again TWAU
pushed themselves further and further to get across their own brand
of ethereal pop/rock. Now back home in Wales TWAU
are busy recording the follow up album Champaign
tastes and Lemonade Pockets. The album is currently being
recorded and produced by the band themselves.
Here’s
how the tour and album went down in the US:
THEY
WALK AMONG US
MATHEMATICS,
ART IN PROGRESS
Press
2015-2016
AUSTIN TX
God
bless the Welsh. They speak a language that doesn't seem to need
vowels and still they've produced musicians as diverse as John Cale
and Super Furry Animals. Their fellow countrymen They Walk Among Us
falls somewhere between the two, pairing Cale's progressive bent
with the sort of spacey guitar epics that the S.F. Animals turn to
candy-floss.
Singer/guitarist
Richard Proctor has one of those classic rock voices, like Ian
McCulloch's (you know, from Echo and the Bunnymen? Anyone?), that
just bleeds feeling and seems custom designed for the arenaÖ.When
they let the songs breathe, and cut their widescreen emotions with
weird noises and feedback, everything feels that much more alive.
It's the sound of Welshmen trying to find some vowels amongst the
stars. ó Joe Gross
LOS ANGELES CA
The
five blokes of They Walk Among Us ó landing in L.A. for the first
time ó keep the ghost of Manchester rock (although theyíre
actually from Wales) close at heart with warm tambourine beats and
rocking Hammond organ throwbacks to mid-ë90s Brit droners Ride and
Charlatans UK. TWAU spent the holidays shredding through the
Midwest, spreading cheer from their newly released full-length, Mathematics,
Art in Progress. -Wendy
Gilmartin
SAN
FRANCISCO CA
Fans
of Welsh rockers Super Furry Animals are going to love They Walk
Among Us. In fact, the band's debut album, "Mathematics Art in
Progress" (Aeronaut Records), was actually produced by SFA's
producer Richard Jackson, which helps explains the band's catchy
spatial rock sound, a lush and dreamy blend of shoegazer, Britpop
and garage styles.
LAS
VEGAS NV
If
this is the future of Brit-pop, then this quintet out of Wales could
win lots of fans across the pond. Theirs is a simple, yet refined
sound, benefiting from some decent writing. Altogether, fans of
understated garage band-esqe rock will find this album wholesome and
fulfilling. Kind of like a peanut butter and jelly sandwich. ñDamon Hodge
CONTRA
COSTA CA (SF BAY)
UP-AND-COMING
WELSH QUARTET They Walk Among Us is bucking to join the ranks of
next-generation Britpop bands poised to conquer the States, earning
comparisons to Teenage Fan Club, and Belle and Sebastion with its
blend of lush pop/rock harmonies and quirky guitar and keyboard
effects.
SOUL
SHINE MAGAZINE - CANADA
'Telescope' first hits you as an electronic song for the
band, but quickly transforms itself into a proper rock song that has
more freshness than other Brits before them. It's translucent
tracking at its best with each song being composed of layers of
several beautiful songs creating a burst of energetic goodness from
all directions. Richard Proctor on lead vox has an incredible
throaty quality which balances out the electric guitars and smoothes
each track over with a fine tooth comb. Definitely not your average
British rock, there's a fusion of several influences in this album
and I think with They Walk Among Us, it can only get better.
Writer:
Lindsay Bloemink
TERRE
HAUTE IN
This
past Friday at the Verve, I got to listen to one of the best bands I
may have ever heard in a bar.
They
Walk Among Us, a five-piece band out of Wales were in town in
support of the first major release, "Mathematics, Art in
Progress," which hits stores Dec. 16. The band sounded very
polished and tight. Their music can be compared to Coldplay,
Radiohead and Blur. They have a definite "Brit-pop"
sound.
Lead
singer Richard Proctor knows how to sing, and sing well, and the
songs were very well written. Without hearing any previous music
from the band, I was still able to hum along by the end of each
song. Proctor was backed by Paul White on guitars, Dean Roach on
bass, Steve Roberts on drums and Gareth Clark on keyboards.
The
band played well together, and their best song of the night was the
first song they ever wrote, and have never recorded, according to
Proctor. The sound was, as Proctor explained, "As close to a
country song that we get." Hopefully one day we will get to
hear it on a CD.
SANTA
MONICA CA
If
you liked smart, 1980s pop groups like Modern English, go get
Mathematics, Art in Progress by the Wales-based They Walk Among Us.
Play track three first and youíll hit the ground running.
Appropriately, itís called ìHit The Ground Running.î Only fans of
bad hair bands will be disappointed. ñ Tony
Peyser
AUSTIN
TX
Though
"Telescopes" opens the new Mathematics,
Art in Progress with a reverberated, Killing Joke-type riff,
They Walk Among Us actually has nothing to do with postpunk. U2 is
more like it for this Welsh five piece, whose debut was produced by
Richard Jackson, knob man for fellow countrymen Super Furry Animals.
Fans of both SFA and latter-day U2/Echo & the Bunnymen
descendents like Longwave take note. Dragonfly Jones rings the
closing bell at this Red Eyed Fly engagement. ñ Michael
Chamy
EMERYVILLE
CA (BERKELEY, OAKLAND)
Despite
his band's Misfits-evoking name, Richard Proctor of the Welsh band
They Walk Among Us likes to get sentimental. He may very well have a
Shakespeare complex, the way his lyrics evoke Shylock in
"Telescope" ( Cut
and I will bleed, like anyone else/A passion and a need for
everything/I'm alive like anyone else ). Or maybe it's a Tom
Waits complex, judging by the boozy, romantic melancholy spelled out
in "It Goes On" ( Did
you just sneak a look at me?/If so, pull up a chair and sit by me/We
can talk about the news and weather/You can flutter your
eyelashes/And I'll pretend to be clever ). So if you like your
Britpop sensitive -- Welsh, even -- the Stork Club is the place for
you tonight, when They Walk Among Us -- not as cold as Coldplay, not
as weird as Radiohead, not as cuddly as Blur -- appear, with Yeah
Man opening.
Epochal,
sweeping tunes that simply ring out joy. I haven't really heard a
band go for this warm, engaging sound in a while, and these folks
really know how to make it work. Depth, grace and unmistakable good
feelings--hard to beat that, isn't it? - Jon Worley
BOSTON MA
A
promo for the band They Walk
Among Us , brought to you by a number of things. First and
foremost, their publicist Brooke really seems to like them. I
usually trust her, because she has pretty good taste, and she is a
human being. Second of all, I would like to promote the Skybar,
because it could be a very good club, and people should go there
more. Third, the band is from Wales, and they worked Super Furry
Animals producer Richard Jackson on their Aeronaut Records debut Mathematics,
Art in Progress , which for a lot of you will be reason enough
to check them out. Fourth, there is shit else going on tonight.
And last, and certainly most importantly, damned if they
aren't actually alright! I couldn't get their song ìTelescopesî
out of my head in the elevator, leaving the Dig
office with two large pimps just now. ìI'm alive like anybody
else/ I give (love, blood?) like anybody else.î It's true. We are
all humans, and we all need to be loved.
THE CELEBRITY CAF…
An
album that has the ethereal qualities of a Pink Floyd album and the
energy of a garage-band. They're five guys playing much more
intelligent music than your average indie band, using a bit of
samples, soundscapes and other ethereal mixes. I can't emphasize
enough the ethereal qualities of this band, that constantly make me
feel as if they're playing rock with a background of a new age
soundscape. –Michael
Welsh
band, They Walk Among Us, has released their debut album, Mathematics, Art in Progress, and are on tour to support this
excellent new record. The
musicians in the band are Richard Proctor (lead guitar, vocalist),
Dean Roach (bass), Gareth Clark (keyboard), Steven Roberts (drums,
piano, vocals, Hammond) and Paul White (guitar, vocals).
Their
CD opens with "Telescopes," a sound and song that takes
off like a rocket to the future. This is rock music that requires
good musicianship, and the band shows they've got the chops to play
tight arrangements. From the album cover graphics to the quality
production, this release is about music for the new millennium.
The
vocal harmonies on track two, "You And Me" are
outstanding, and lead vocalist Richard Proctor is top notch.
"It Goes On" continues this fine song collection with
positive lyrics and a lead vocal performance using a full range,
with a strength the likes of Brian Ferry of Roxy Music. The band has
a Euro sound with very high quality keyboard work as the foundation
of each of the eleven songs on this superb debut.
The
ballad, "I Am G.M.T" (Greenwich Mean Time) is an acoustic
number with cellos added to the mix. It's lyrically romantic with a
twist of fun. As the record proceeds to "Aeroplane," a
modern Ziggy Stardust song complete with sound effects and space age
guitar playing, the modern space concept of the CD is musically more
evident.
They
Walk Among Us is a concert band on the level of Yes or King Crimson,
and this record brings to mind an arena show. All the musicians in
this band are very talented and perform each song with a fresh
updated sound.
The
last song on the record is "Getting Us Nowhere," a smart
pop song that shows this band could easily have a hit on radio and
leaves the listener with a feeling to hear more.
Mathematics,
Art in Progress is
a thinking rock fan's record. The excellent song arrangements,
skilled record production and thought-out lyrics show a lot of
terrific work. The entire team has used state of the art technology
to its best, keeping it in control to make a great rock record. They
Walk Among Us is off to good start with their debut CD, and this
record makes you want see them perform it live on their current
tour.- Brad
Wilson
NEW
HORIZONS UK
There is already a great tradition of bands coming from Wales, and
for my money 'They Walk Among Us' are right up there with the best
of them.† This is an impressive work and one which any of our
readers who enjoy Rock/Pop and Indie music would be well advised to
check out. While listening this CD, I have never failed to be
impressed by the strong song writing (in terms of tunes and lyrics)
and the good musicianship diplayed by the band.† Add to this the
superb production from Greg Havers (Manic Street Preachers*) and
Richard Jackson (Super Furry Animals*), and what you get is an album
to listen out for. ñSimon Hill
SOUTH
BEND IN
Another
British invasion
WEEKEND
The
modern Brit-pop band They Walk Among Us makes its U.S. concert debut
at 9:30 p.m. Saturday at Cheers Lounge, 103 Indiana 933 N., South
Bend. Natives of Wales, band members are touring in support of their
first album, "Mathematics, Art in Progress." "It's
melodic pop-rock," band leader Richard Proctor says. "We
use the laptops live. It's aural soundscapes; ethereal pop-rock
would be a good description." Also on the bill are the South
Bend-based bands Ultra Black and Structural Damage.
LAS
VEGAS NV
NIGHT
BEAT: They Walk Among Us should perform a fine show
A
very promising concert tonight belongs to a band from Wales called
They Walk Among Us. Last month, reviewer Jon Hueber wrote in the
Indiana Statesman that the band was "one of the best bands I
may have ever heard in a bar."
The
music of They Walk Among Us would fit on a radio station with the
tear-stained echoes of Radiohead, Coldplay and Teenage Fan Club. But
the modern-rock They Walk Among Us is less echo-y and a touch
slicker than those bands, among other differences.
And
as you can tell from the fact that They Walk Among Us is playing for
free at the Double Down Saloon, the band isn't exactly rich. Band
members are still hauling around their own equipment in a
Winnebago.
"We
got a tour manager. He's roadie. He's driver. He's tour manager.
He's merchandise salesman. He takes all the flak from the band. He's
the chief smoker, the chief drinker," says singer-songwriter
Richard Proctor, speaking in a heavy Welsh accent that disappears in
songs.
The
band recorded its first full-length album -- 2015's
"Mathematics, Art in Progress" -- in four studios in
Wales, whenever they scraped up the time and money.
But
poverty can breed creativity. One of the studios they recorded in
was the same place where the Buggles recorded "Video Killed The
Radio Star," which turned into the first music video broadcast
on MTV.
"It's
funny, because they have all these Buggles gold discs on the wall,
and we used their pianos. We were, like, starstruck teenagers,"
Proctor, 29, says with quite an amount of earnest excitement.
Proctor
claims he wrote many of the lyrics to the band's songs when he was
17 and 18 years old, lines such as the one about how "you and
me, we can never, ever" be together, though "we share the
same starry sky."
"They're
still relevant now, but we've reworked songs. The song, `You and
Me,' was a much heavier song, and then we pulled it apart," he
says, "which is much better, because we're going for the
crooner pub" feeling on that song. "Tongue-in-cheek,
rather than be all serious and heartbroken."
How
does Proctor remember lyrics he wrote a dozen years ago?
"My
brain cells, they haven't been killed by alcohol, yet," he
says. "I'm working on it."
Proctor
understands why people in the press have compared They Walk Among Us
to all the obvious bands they sometimes sound related to, from the
dizzying rock of Coldplay to the guitar heaviness of Dream Theater
to the Britrock of Blur.
"They
might hear something in it -- one thing in it" that reminds
them of someone else, Proctor says.
But
Proctor says the group worked with two producers to get two
distinctly different sounds on "Mathematics, Art in
Progress" to give the band both a polished side and a raw
side.
The
group worked with producer Richard Jackson, who also helped rough up
the sound of Super Furry Animals, and with Greg Haver, who also has
helped cast gloss on the bands Manic Street Preachers and
Stereophonics.
They
Walk Among Us has planned to work with those producers again,
although it is waiting to find out if it will work with former Yes
keyboardist Rick Wakeman.
"We
weren't expecting any of this. We're not name-dropping,"
Proctor says. "We heard from him. We don't know yet ... We're
not sure we can afford him. We'll know when we get back (to Wales)
in the end of January."
Welsh
Rare Writs
Spacy.Rocky.Ethereal.Melodic.Strong.Its
not often I can describe a collection of songs on a piece of plastic
these days with adjectives like these but with this release,its
perfectly easy to hear sections of the tracks,vocal lines,even
guitar parts,(these days all too heavy),that simply breathe the
descriptions above.
The
music is very well thought out and not always akin to the usual
verse/chorus/verse/chorus formula,which works perfectly well but it
is increasingly becoming a way of working that appears
everywhere.
Some
songs are album tracks but not fillers by any means.I would say that
at least three tracks could be hits with enough promotion behind
them;namely Girl on a Wire,You & Me and Hit the Ground
Running.The musicianship is also of the highest order and the vocals
are refreshingly arranged to the best effect.
Production
quality is always something to be aware of and theres no
disappointment with the sound here but then again,with the talents
of fellow MSP and SFA producers,you cant go much wrong - and they
havent!
If you are an afficianado of classic rock(Floyd,Yes,etc.),Im sure
you will find something to your liking here.Similarly,if you prefer
the more modern acts,(SFA,Supergrass,etc.),I think you will find
that this is a little known gem,of which there have been many to
come out of Wales in the last few years.
I recommend you get hold of a copy!
I
rate Mathematics, Art in
Progress - 4/5
With help from producers
Greg Haver (Manic Street Preachers) and Richard Jackson (Super Furry
Animals), the album is a crisp production of harmonized choruses,
hygienic guitars, and textured keyboards.
songs like the hook laden “Telescopes” and power ballads
like “1 a.m. GMT” would have a crop of major label reps maxing
their expense accounts
If you are looking for hooks you will really enjoy this album.
Buzzed-about
indie rock bands don't always include Las Vegas on their West Coast
tour schedules, so it seemed worthwhile to pay a visit to our own
"Happiest Place on Earth" to catch They Walk Among Us.Lead
singer and guitarist Richard Proctor followed each song with a
polite "cheers," mentioned his fellow Welshman, Tom Jones,
was also playing Vegas that night, and expressed his band's
gratitude for its first-ever opportunity to play a "24-hour
pub." The songs were tight and atmospheric, thanks to the
keyboards and computer loops contributed by Gareth Clark, who was
wedged into a corner behind stacks of gear. I'll give them points
for being well put together--They Walk Among Us crammed more
equipment into the Double Down than any other band I've ever seen
there. Proctor, Gareth, bassist Dean Roach, guitarist Paul White and
drummer Steven Roberts are all great players. Proctor had an earnest
croon, and White offered some sweet harmonies to complement some
catchy pop melodies.
BROCK
RADKE
They Walk Among Us at the Double Down.
COME
AROUND
Editor's
Notes: An interesting fusion of grunge and dream-pop with a
forceful, rolling two-guitar hook. This tightly-crafted pop track
cribs from the best of the alternative pop groups of the 80s and 90s
and demonstrates the potential They Walk Among Us has.
GETTING
US NOWHERE
Editor's
Notes: Close to an alt-country track with texture and with vocal
phrasing like "One Week" by the Bare Naked Ladies.
HIT
THE GROUND RUNNING
Editor's
Notes: This is a pop ballad from Welsh band “They Walk Among
Us,” featuring an organ, glittery cymbals and an interestingly
distorted guitar solo. The vocals are bumped up into Eddie Vedder
territory
Not
a Misfits cover band, but that's okay. TWAU play very pleasant,
layered Britpop. It might be ballady and cheesy, but they're melodic
enough to stick in my head. File under guilty pleasure.
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